Tag Archives: National Trust for Scotland

Conservation of the Mystic Marriage Completed


After several months of conservation work on The Mystic Marriage of Saint Catherine of Alexandria with Saint Apollonia is now completed and looking better than ever.

The painting has gone through various stages of cleaning, consolidating, conserving, careful moving St Appolonia's faceand wrapping to now be seen in it’s original glory.

Throughout this project visitors to the Palace have been able to see conservation work in action in the Chapel Royal and ask questions which had visitors coming back again and again to see how the work was progressing.

489 visitors from all over the world also left comments in our book:

“Excellent idea to be able to see expertise at work on site. Well done and thank you”

“Very impressive-very well explained”

“Fascinating and inspiring to learn that such restoration skills still exist in the 21st century!”

“Friendly and knowledgeable guide, thank you!”

“I’ll be back”

“Awesome visit loved it here can’t wait to come back!”

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The painting was first seen hung in it’s original place at the end of the Tapestry Gallery at our Christmas Weekend, surrounded by Christmas trees which was truly magical.

Wendy, Geri, Aisha and the rest of the team at Falkland Palace and Gardens would like to say a big thank you to everyone who made this project possible; Henry Matthews, Gail Egan, Julie Bon, Alistair Smith, Jane Batty, T&S and the volunteers at the Palace.

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Morgan Sports Car Club 10th anniversary


Today 24 classic Morgan cars from the Morgan Sports Car Club parked up at Falkland Palace to celebrate the club’s 10th anniversary.

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These magnificent cars in this ancient setting was very evocative and a welcome addition to the visitors experience, as well as giving the staff an excuse to get out the office and visit the lovely gardens!

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After much debating no one could decide which was their favourite, they were all stunning though this blue beauty caught the attention of our Learning Officer, who said it was ‘pure braw’.

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Outlander comes to Falkland


Diana Gabaldon’s series, Outlander has been taken on by Starz to create a TV series that has everyone holding their breath.

The story which traces Claire Beachum’s journey as she travels back in time from the 1940s to 1700s after touching a stone in a stone circle in Inverness.

The National Trust for Scotland Team at Falkland Palace were delighted when Starz decided to film in Falkland Village, where the Palace sits proudly on the high street. We were shocked to find how similar Falkland resembled 1940s Inverness, complete with a fountain in the square (1940s Inverness on the left, Falkland Village 2014 on the right)

InvernessThe Bruce Fountain, Outlander, Falkland

Starz transformed the village of Falkland and took it back in time by painting shop fronts, moving street furniture and even setting up wind and rain machines (real rain doesn’t show up in films, believe us, it was raining!).

Shop

The village of Falkland waits patiently for the release of Outlander in Scotland. We leave you with a photograph of Falkland Village in 1940. If you have visited the village you will probably agree with the Starz team, it hasn’t changed much in all those years. It is a true time capsule and a place that will now link with the magic of Outlander forever.

1940

 

 

Day 11- Varnish No More


Conservators Gail and Henry have been working hard to remove 500 years of layered varnishes and over paint to The Mystic Marriage. This rare Brini painting (1570) has been on show to the public for nearly two weeks in the Chapel Royal, as it has been undergoing some much needed conservation work.

Visitors, staff and the local media have greatly enjoyed watching the painting come to life through this unusual conservation project.

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Painstaking cleaning using cotton buds and organic solvents has revealed the exquisite original colours and paintwork, as well as highlighting the plaster repair work that has been carried out over the last half century, to fill in cracks in the wood.

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Now that the painting has been cleaned the next phase of treatment will be structural repair work to the wooden panel. This will involve lying the painting horizontally on it’s specially designed support boards and also tackling the wood worm problem.

This beautiful painting is finally getting the TLC it desperately needs and we are thrilled to be able to share this conservation project directly with the public, which is a first for the NTS.

To see the next stages of this fascinating project, keep checking back to this blog or visit our facebook http://on.fb.me/171AsJC and twitter http://bit.ly/1vkZmiO pages.

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Day 3- Paint Analysis


Over the last three days specialist conservators Gail and Henry have been carefully removing layers of discoloured varnish and dirt to reveal the true colours of the painting.

Both Henry and Gail believe that understanding the composition of the painting structure will greatly help them in deciding the most appropriate treatment to be carried out on the picture.

What was thought to be pale green turns out to be beautiful powder blue. What was once a dirty orange is bright gold.

Extra detail lost under the centuries of varnish is being revealed, in amazing colour such as the tiny face on the front of ST Appolonia’s dress and the delicate veil on her hair.

Technical analysis of the paint layers by Glasgow University Department of Technical Art History has identified pigments commonly used in the 15th and 16th centuries, as we had hoped to find.

Element Chart

200x UV

 

SamplePotential for further investigation into the paints used and the wood on which the subject is painted.

Visitors have been enthralled by being able to see the conservation work in action:

“Wonderful to see such an amazing process” Susan Walker

“A painstaking venture but will be stunning once finished” C. R from Kinross

Property Manager, Wendy Purvis said: “I’ve been spell bound by the process which has revealed the original paint. How fascinating it is to watch conservators at work and learn about the process as it happens live. This is the sort of thing that would normally happen behind closed doors but to see it every day is a real privilege.”

Project Manager, Julie Bon added “It has been exciting to be involved in this unique project. There’s been a lot of hard work put into the preparation and it’s great to see the painting and the conservation work in action in full view of the visitors.”

Come and see Gail and Henry at work in the Chapel Royal at 4pm on the 4th of August. Photos and interviews will be available with conservators Gail and Henry, Wendy Purvis, Falkland Palace Property Manager and Julie Bon, Trust Conservator and project manager.